So if a man looks at another and sees himself through a fissure in the canvas of artistic impression then persecution is only justified through a medium of photography - or is it only a commentary on the futility of conformity or does the candle indeed burns at both ends?
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So if a man looks at another and sees himself through a fissure in the canvas of artistic impression then persecution is only justified through a medium of photography - or is it only a commentary on the futility of conformity or does the candle indeed burns at both ends?
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